The Defranceschi Archive
30 who carried the name

The Other Franceschi

A chancellor of Venice painted by Titian, a bishop who was a rabbi's son, two Venetian presses, a Napoleonic baron, and the painter every history of perspective begins with. Some are certainly kin to this family. Most are certainly not. The point is the name, and what it did.

Franceschi is a patronymic — of Francesco — and patronymics arise wherever the given name is common, which in Italy it was everywhere. So the surname was invented many times over, in Tuscany and Friuli and Corsica and the Veneto, by people with no ancestor in common. Any archive of the name has to say that plainly, or it becomes the sort of thing that sells crests.

What the name did carry, again and again, was a particular kind of career: the chancery, the press, the parish, the notarial office. Literate trades. Men who wrote things down are men who get written down, which is why the record survives at all.

Diplomacy

Niccolò de Franceschi

fl. 1318–1362Venice · Zadar

The earliest man the Croatian branch counts as its own. He acted for Guillaume Grimoard — later Pope Urban V — in negotiations between Louis I of Anjou and the Republic of Venice. By a charter given at Buda on 8 March 1359 Louis received him into the hereditary Hungarian-Croatian nobility with arms, for estates around Zadar. Every Zadar and Omiš descent traces to him.

The family no longer holds the charter; the claim rests on the Croatian nobiliary literature and on the 1838 submission to the Austrian commission.
Law

Toma de Franceschi

fl. 1714–1762Zadar

Notary of Zadar, and the man who keeps the Croatian branch's noble claim from being only a story about a charter. He was admitted to the city council of Zadar by hereditary right and swore the oath in **1714**; he was appointed **public notary in 1722**, and he held the office for a full forty years. The detail worth having is what language he worked in: he ran his practice in **«Illyrian» — Croatian — as well as in Italian**, in a city where the notarial record is otherwise Latin and Venetian. His son **Ivan Krševan** followed him into the same office. In **1838** the family submitted its documentation and genealogy to the Austrian commission on nobility, and was admitted to the register of the Dalmatian nobility printed by Heyer von Rosenfeld in 1873.

Not kin — the Zadar–Omiš house, not the Carnian one this archive follows. He is here because the old family site carried the Croatian nobiliary account of that house in full and this archive had never named him; and because a notary of forty years leaves an archive. The Zadar notarial fond is the obvious place to test everything the nobiliary literature says about this family. Hrvatski biografski leksikon, vol. 4 (Čoralić, 1989), p. 353.
Chancery

Andrea dei Franceschi

1473–1552Venice

Grand Chancellor of the Republic of Venice from 1529 until his death in 1551 — the highest office a man not of the patriciate could hold, the permanent head of the chancery under the elected Doges. He was Titian's friend, and Titian put him into the «Presentation of the Virgin» now in the Accademia. He owned two portraits of himself by the painter. The head in both derives from Titian's own portrait now in the Detroit Institute of Arts. A double portrait at Hampton Court, in the Royal Collection, was cleaned in 1958 and gave up a third figure that had been painted out at some point — it is now Andrea, Titian and another man. A further portrait is in the National Gallery of Art at Washington, where the gallery's own catalogue declines to call it Titian: the handling is harsher and cruder, the colour less subtly modulated.

Not kin, and this archive has never claimed him. He is of the Venetian de' Franceschi, and the family this site follows is a Carnian one that reaches Istria about 1700. He is here because he is the reason the surname is in every art-historical index, and because for a year the roadmap carried «Andrea and Titian» as an unfinished item. It is finished.
Painting, mathematics

Piero della Francesca

c. 1415–1492Borgo Sansepolcro

Born Piero di Benedetto, son of Benedetto de' Franceschi, a tradesman of the Tuscan Franceschi. He is called after his mother — la Francesca, as she was known by marriage into the family — and he is the reason the name is in every history of the Renaissance. The Urbino diptych puts Federico da Montefeltro and Battista Sforza in profile against a continuous landscape, and puts perspective at the service of two faces.

The name is the same name. Whether the Tuscan Franceschi and the Friulian-Istrian De Franceschi share an ancestor is not shown by anything in this archive, and the surname is far too common to assume it.
Painting

Francesco de' Franceschi, the painter

fl. 1443–1468Venice · Padua

A Venetian painter of the middle fifteenth century whose birth and death dates are simply not known — «active 1443 to 1468» is as close as the record gets, which is itself a fact about how the trade was recorded. He painted religious work on church commission. The style follows Michele Giambono, and he may have worked alongside Antonio Vivarini. An altarpiece of 1447, most likely from a church in Padua or Venice, is attributed to him and hangs in the Museo Civico at Padua; two panels — a St Mary Magdalen and a St Catherine of Alexandria — are in the Ashmolean at Oxford; a St Michael the Archangel and a series on St Mamas are also given to him. **And he can now be looked at.** Two of the pictures named here are online and out of copyright: the Ashmolean's *St Mary Magdalen* and *St Catherine of Alexandria*, both bought for Oxford in 1850, and both narrow gold-ground panels from a dismembered altarpiece — you can see the saw-cuts in the composition. A *Martirio di San Mamante* is at the Museo Correr in Venice, and Yale holds two more scenes of the same saint's legend. Five surviving fragments of one lost story, in three countries.

Not kin. A fifteenth-century Venetian, two and a half centuries before this family reaches Istria. He is here because the roadmap has carried him as unfinished since before this archive had a roadmap, and because an item does not stop being owed by being ignored.

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Woodcut

Piero, as the sixteenth century drew him

1568 · 1648 editionFlorence

Vasari's Lives gave each artist a woodcut portrait in an ornamental frame. Vasari, who came from Arezzo where Piero's frescoes are, complained that Piero's pupil had taken the credit for his master's books — which is the reason we know Piero wrote them.

Church

Girolamo de' Franceschi

1455–1513Koper · Padua · Udine

Born at Capodistria into a family from Udine — the Friulian origin again — he entered the Servites as a boy, took his doctorate in theology at Bologna at nineteen, and was four times vicar general of the reformed Congregation. Appointed bishop of Corone in Greece in 1496, he never went: the see fell to the Turks in 1499, and he stayed with his patron. He died at Udine in 1513 and was buried in the family tomb.

Dizionario Biografico degli Italiani.
Printing

Francesco Franceschi

d. c. 1599Siena · Venice

A printer who worked in metal rather than wood, which is why his 1565 Orlando Furioso — an engraving before every canto, an engraved frame round every argument — was copied by English publishers a generation later. He also printed music, including Zarlino. Two probable relatives, Giovanni Antonio de' Franceschi at Palermo and Venice and Giacomo Franceschi of Venice, printed music too. His imprint survives on the shelf as well as in the catalogues: the Biblioteca Estense at Modena holds his 1565 Venice edition of **Leon Battista Alberti's «L'architettura»**, printed «per Francesco de' Franceschi» — five years before another press of the name put out Palladio.

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Printing, engraving

Domenico de' Franceschi

fl. 1560s–1570sVenice

**He printed Palladio.** In 1570 the press of Domenico de' Franceschi at Venice issued Andrea Palladio's «I quattro libri dell'architettura» — the four books that taught Europe and then America how to build, and the single most influential architectural book ever printed. Inigo Jones's annotated copy is the founding document of English classicism; Jefferson built Monticello out of it. The title page carries the imprint «In Venetia, Appresso Dominico de' Franceschi, 1570». Another Venetian press under the name. He published the woodcut procession of Süleyman the Magnificent going to the mosque (1563), Charles V's storming of La Goletta near Tunis, and a Battle of Lepanto printed in the year after the battle — news engraving, sold in the street while it was still news. He also published a Battle of Lepanto in the year after the battle — news engraving, sold in the street while it was still news.

A Goleta sheet is at the Statens Museum for Kunst, Copenhagen. No connection to this family is claimed or known; the press is here because it is the largest thing anyone of the name ever put into the world.

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Church

Alessandro de Franceschi OP

1545–1601Forlì

Bishop of Forlì from 1594. His father was Hananel — Nello — Graziadio da Foligno, a rabbi who on baptism took the name Alessandro Franceschi in homage to Cardinal Alessandro Farnese. The surname in this instance is not descent but conversion: a name chosen, not inherited.

Painting

Mariano de Franceschi

b. 1849Rome

Trained at the Accademia di San Luca and under the Spaniard Baldomero Galofre; debuted at the Amatori e Cultori exhibition in Rome in 1876 with a still life, then turned to landscape and genre. He exhibited at Turin in 1884, at Capri and Rome in 1888, and at Venice.

History, politics

Carlo De Franceschi

1809–1893Gologorica · Pazin

Born at Moncalvo di Pisino — Gologorica — son of Giuseppe, a smallholder loyal to Austria, and Lambertina Peschle of Volosca. Schooled by the parish priest, then Pazin, Fiume and the seminary at Gorizia; law at Graz, where his anti-Austrian views hardened. He wrote L'Istria: note storiche, and he wrote the letter to Giovanni Kobler that this archive leans on for the family's own account of itself. The Blasonario Giuliano's entry for his family calls him «uno dei più arditi patrioti istriani» — one of the boldest of Istrian patriots — and records that he was Secretary of the Provincial Assembly of Istria.

He is this family's historian, and the one who says the family came from Carnia about 1700. He also buried at least four children — see the register of the dead. And he is still cited: Egidio Ivetic writes that for medieval Istria one must rely on Benussi, Carlo De Franceschi and De Vergottini.

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History, archives

Camillo De Franceschi

1868–1953Poreč · Trieste · Venice

Carlo's youngest child, and the one who turned the family's history-writing into a profession. Archivist and historian of Venezia Giulia; he edited the statutes of Labin, the chartulary of Piran, and the study of the Castropola lordship over Pula, and wrote the «Storia documentata della Contea di Pisino» — the documented history of the county his own family lived in — published posthumously in 1964 by his son Carlo. He died an exile at Venice in 1953. The armorial notes him as Commendatore and past President of the Società Istriana di Archeologia e Storia Patria.

Still standard. A 2021 doctoral dissertation on Venetian Istria names three figures who «tower» over the field — Bernardo Benussi, Giovanni de Vergottini and Camillo de Franceschi — and quotes Egidio Ivetic that for medieval Istria «ci dobbiamo affidare agli studi di Bernardo Benussi, Carlo De Franceschi e Giovanni De Vergottini»: we have to rely on them. Father and son are both named. And more than standard: the same dissertation notes that Camillo used primary sources «today unavailable due to the detrimental effect of the Second World War and its bloody aftermath in Istria». For some documents his articles are now the only witness. Josip Banić, «Venetian Istria in the Embrace of a Nascent Dominium», CEU 2021.

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Arms

Giovanni — il Zuane — de Franceschi

1673–1741Omiš · Imotski

In the Venetian-Ottoman war of 1718 he led volunteers from Piska by way of Vrulja to the siege of Imotski, joined after three days by German and Swiss mercenaries with cannon and horsemen from Sinj. Imotski and Vrgorac were taken and the Dalmatian-Bosnian border was fixed where it still runs. The Republic gave him the estates of Arch-bey Čaušević — land, houses, a mill, a tower on the Vrljika. Kačić-Miošić put the feat in a song.

An old family tomb with carved arms stands before the altar of the church at Piska.

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Letters

Giovanni de Franceschi

1810–1862Omiš · Zadar

Professor, historian, essayist, travel writer; chancellor to the bishop and honorary canon of Split. He published the monthly La Dalmazia at Zadar and argued in it for an enlightened cosmopolitanism. His poem Dalmatinska vila appeared in 1844.

Arms

Jean-Marie-Antoine Defrance

1771–1835France

Écuyer to the Emperor, brigadier general, made a count of the Empire by letters patent of 2 July 1808 at Bayonne. His arms: party azure and gules, cut argent — azure with the sign of the military counts; gules with a golden cock; argent with three azure halberd-irons, two and one. His portrait was engraved by **Claude-Marie-François Dien after Henri-François Riesener** in 1820.

A separate line: the French Defrance, not the Istrian Defranceschi. Included because the surname converges.
Arms

Jean-Baptiste-Marie Franceschi

NapoleonicFrance · Spain

Brigadier general and aide-de-camp to the King of Spain and the Indies, made a baron of the Empire by letters patent of 23 June 1810. The Corsican Franceschi came from Florence: a Taddeo Franceschi crossed to Corsica early in the fourteenth century, and his descendants served Genoa until Corsica went to France in 1768.

Chancery

Marcantonio de Franceschi

fl. 1567Venice

Secretary of the Council of Ten in 1567 — the same body Andrea de' Franceschi had served as secretary from 1519 before his election to the Grand Chancellorship. Two men of the name, a generation apart, inside the most secret organ of the Venetian state. He belongs to the Candia and Seghetto branch: the armorial names him in the same entry as the four brothers who gave the Republic a hundred thousand ducats in 1716.

Blasonario Giuliano, «Franceschi (de) — Seghetto, Capodistria, Umago».
Church

Francesco de Franceschi

fl. 1424Pola

Bishop of Pola in 1424 — the earliest office-holder of the name recorded anywhere in Istria, and a century before the Chancellor. He belonged to the Capodistria family, which the Gravisi manuscript records as originally Venetian, aggregated to the nobility of Pola in 1580, and extinct.

Blasonario Giuliano, «Franceschi — Capodistria». That family bore a bent bend charged with a lion passant or.
Nobility

Luca di Nicolò de Franceschi

proved 1488Candia, Crete

The first of the family whose nobility is actually proved in the registers of the Archive of the Duke of Candia. His father Nicolò was castellan of Castel Milopotamo in 1500. The family had been enrolled in the Cretan nobility earlier than this, but 1488 is where the documents begin — and it is the point at which the Seghetto branch's story stops being tradition and starts being record.

Blasonario Giuliano, after Spreti. Everything before 1488 in that family's account of itself — the prefect Feramondo of 474, the flight to Padua, the crossing to Crete between 1211 and 1257 — is tradition.
Opera libretti

Carlo Prospero Defranceschi

fl. 1795–1815Prague · Vienna

Court poet and librettist in the Italian theatres of the Habsburg capitals. He wrote the libretto of Antonio Salieri's «Angiolina, ossia Il matrimonio per sussurro», and styled himself on his title pages «Licenziato de' Dritti» — licensed in law — and «Riducitore del Sacrificio interrotto, e d'Amore e Psiche». His «Il Principe d'Itaca», a dramma eroicomico reduced from the German for the use of the Italian theatre, was staged at the new theatre in Prague in 1797 under Domenico Guardasoni, the impresario who had commissioned «La clemenza di Tito» from Mozart six years earlier in the same house.

Two printed libretti carry his name: the Prague «Principe d'Itaca» of 1797, in the Bayerische Staatsbibliothek, and the Florence edition of «Angiolina» of 1815, which credits «Libretto by C. P. Defranceschi». No connection to this family is claimed.
Teaching

Ante Defrančeski

1894–1949Ližnjan · Zagreb

Born at Ližnjan near Pula on 1 February 1894 — the third-largest concentration of this surname in the whole record sweep. Trained at the Kastav teachers' college in 1912, volunteered for the Salonika front, left Istria when it became Italy, and became a professor at the teachers' training school in Zagreb. He wrote nine books between 1925 and 1940 on how a child learns to read and write — and the Croatian Biographical Lexicon heads his entry with the háček, «Defrančeski».

No descent from this family is shown and none is claimed. He is here because he is where the Istrian Defranceschi went when they went the Croatian way.

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History

Jean Defranceschi

20th–21st centuryCorsica · France

Historian of Corsica and of the French Revolution. His essay «Robespierre et la Corse» stands in the Lille volume «Robespierre: de la Nation artésienne à la République et aux Nations», and argues that the Corsican revolution of 1729–69 — drowned at Ponte Nuovo when Robespierre was eleven — was a live example to the men of 1789, and that Corsica in that year was not yet legally French.

A Corsican bearer of the name, and a reminder of how far the patronymic travelled: the family's own map already carries Corsica and a Corsica-to-Genoa marker. No connection to any line on this site.
History

Camillo De Franceschi, in Croatian

1868–1953, published 2023Pazin

Camillo's «Storia documentata della Contea di Pisino» — the documented history of the County of Pazin, published posthumously in 1964 — is still the standing authority. Current Croatian scholarship cites it page by page: Elvis Orbanić's study of the bishops of Pićan leans on it a dozen times, and Irma Huić's study of Gračišće opens its bibliography with it. In 2023 it appeared in Croatian as «Povijest Pazinske knežije na temelju isprava», from Josip Turčinović of Pazin.

Carlo wrote the history of the province; his son wrote the history of the county; and the county's history is now in the language of the people who live there. It can be bought. And it is not only the county history that survives him: «Hrvati i Karolinzi», the 2000 national exhibition catalogue of Croatia's Carolingian-period art, cites his 1932 and 1933 papers on the early-medieval church sculpture of Pula among its authorities — Gnirs, Marušić, Šonje, Rapanić, and De Franceschi.

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Letters

Joso Defranceski

fl. 1918–1920sOsijek · Istria

Author of «C. i kr. ratni logori 1914.-1918.» — the Imperial and Royal war camps, 1914–1918 — printed at Osijek. It is the early account of the Austro-Hungarian internment and refugee camps, the system that took thousands of Istrians to Wagna in Styria during the First World War, and it is still the source modern scholarship cites: the Rovigno centre's own monograph on Wagna lists it in its bibliography, and its 2015 reprint was launched at the Zvona i nari culture house at Ližnjan in Istria with the Centro di ricerche storiche present.

He spells the name exactly as this family does — Defranceski, fused, no particle. Nothing connects him to it. The National Union Catalog of pre-1956 imprints has the first edition.
Arms

Ivan Defranceski

fl. 1943–1945Istria

Political commissar in the Istrian partisans. He was commissar of the II Company of the First Istrian Partisan Battalion, then of the battalion itself under the acting commander Vinko Brnčić, then of the II Pola Detachment in the Fifth Operational Zone, and finally of the First Partisan Detachment «Učka». At the founding parade of the Italian «Pino Budicin» battalion, in a village schoolroom between Sanvincenti and Gimino, he spoke in Croatian to about a hundred and twenty fighters, telling them to give everything for the ideals of justice and of national and social liberty for which Pino Budicin had died a few months before.

From «Rossa una stella», the Rovigno centre's monograph on the Budicin battalion (1975). The same fused spelling, in Istria, in the years this archive's own line was being moved to Germany. No connection is established.
Letters

Ante Defrančeški

fl. 1932–1939Zagreb · Crikvenica

A Croatian educationist of the new-school movement. He had three books out by 1934, among them «Načela nove škole» — Principles of the New School, Zagreb 1934 — and in 1939 he was one of the four editors of the «Pedagoški leksikon» published by Minerva at Zagreb, with Stevan Pataki, Marijan Tkalčić and Josip Demarin. He taught at a teachers' training school, and in 1932 he and his colleague Josip Škavić ran a Sokol gymnastics course at Crikvenica.

The Crikvenica detail is worth a second look rather than a claim. This archive's own line was living at Crikvenica from about 1890, and a man of the same rare fused surname was running a course there in 1932. It is a lead, not a link.
Diplomacy

Josip Defranceski

fl. 1947–1970Buenos Aires · Washington

A Yugoslav press official through the Cold War. A declassified American intelligence report on the Slav press in Argentina, dated 12 August 1947, names a Defranceski as director and editor of a Slav paper in Buenos Aires, «formerly connected with the Yugoslav Legation in Buenos Aires and considered pro-Tito». From 1954 to 1957 a Josip Defranceski appears in the United States State Department's Diplomatic List as Press Counselor of the Yugoslav embassy in Washington, with his addresses on 12th Street, Hamilton Street and Military Road. **And the middle of the career is now filled in.** The *Civil & Military Gazette* of Lahore, 5 December 1959, under the heading «Yugoslav Pressmen»: a delegation leaving Peshawar for **Kabul** on 14 December, consisting of «**Mr. Josip Defranceski, Director of External Services, Radio Belgrade**» and a correspondent of *Borba*. Buenos Aires in 1947, Washington from 1954 to 1957, **Radio Belgrade by 1959**, and still publishing in the Review of International Affairs in 1970.

Almost certainly one man across the whole run. Again the fused spelling, and again no established connection — but he was doing his work in Buenos Aires in the years the family in the French zone was being screened for Brazil.
Opera

Enrico de Franceschi

fl. 1924–1938Milan · La Scala

**A baritone of La Scala**, and the British press of the 1920s and 30s puts him in the first rank. In June 1926 the *Illustrated London News*, *The Sketch* and *The Sphere* all carry the same advertisement listing the age's great voices — «Ansseau, Franz, **Martinelli** of the Metropolitan Opera House, Muratore (Tenors); **Amato, Galeffi, de Franceschi, Rouard, Stracciari** (Baritones); the star of stars, **La Jeritza**». He recorded. *Gramophone, Wireless and Talking Machine News* reviews his duets with the soprano **Zita Fumagalli-Riva** in October and November 1924 — «Dite alla giovine» from *Traviata*, «O soave fanciulla» from *Bohème*, two duets from *Cavalleria rusticana* — and says simply: «**Here is very excellent singing.**» His solo disc of «O monumento» from *La Gioconda* and «Sei vendicata assai» from *Dinorah* was a ten-inch double-sided at two-and-six. And on **8 March 1938** the BBC relayed *Lucia di Lammermoor* live **from La Scala, Milan** — orchestra under **Gino Marinuzzi**, chorus-master Vittore Veneziani, with **Enrico de Franceschi, Lina Pagliughi and Beniamino Gigli**. The listings ran in the *Yorkshire Evening Post* and the Portsmouth *Evening News*. A man of this name sang to Britain from La Scala, on the radio, seven months before Munich.

Found in the British newspaper archive, September 2026. No connection to any line on this site is claimed. He is here because he is the only person of the surname this archive has ever found whom the press simply called great.
Church

Don Nicolò de Franceschi, canon of Candia

c. 1626 – 18 May 1716Candia (Crete) · Split

Found in the burial register of the cathedral parish of St Domnius at Split, September 2026, and previously known to this archive only as an index line reading «Nicolo De Franceschi, burial 18 May 1716». «**Can.co Don Nicolò de Franceschi**, ⟨*Can.co di S. Vito di Candia*⟩, passò da questa alla miglior vita **d'anni 90 incirca** … et **fù sepolto nella Chiesa del Domo in Coro nella sepoltura delli Sig.ri Can.ci**.» **A canon of a church in Candia — Crete — buried in the choir of Split cathedral, in the canons' vault, at about ninety.** Ninety in 1716 puts his birth about **1626**; **Candia fell to the Ottomans in 1669**, when he was forty-three. He held the title of a chapter that the Turks had taken.

The register writes «S. Vito»; the great church of Candia was San Tito, and a clerk at Split could readily set one for the other. He is the first documented link between the Cretan De Franceschi — the branch the Seget family claims — and Dalmatia. No descent is claimed here. See [[seget]].

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Picture credits

The paintings, prints and photographs on this page are reproduced from Wikimedia Commons. Each is listed below with the licence it carries and the hand that made it; nothing is used here that is not public domain or openly licensed, and where a licence asks for attribution the photographer is named.

Who is actually kin

Carlo and Camillo are this family's own, by the letter Carlo wrote to Kobler. The Omiš men — Zuane and Giovanni — belong to the Zadar-Omiš descent, which the family's own twenty-generation chart connects to Niccolò. Everyone else on this page is here as a namesake, and is labelled as one. See The Name for how the spellings actually behave, and The Lines for which descents this archive can defend.

Places that carry the name

You asked whether there is a street in Venice called *dei Franceschi*, and a Defranceschi bridge in Rijeka. There is a street, and it is better than expected. There is no bridge — there is something bigger.

Venice — Rio Terà dei Franceschi, at Santi Apostoli

It exists, it is in Cannaregio, and Giuseppe Tassini — whose Curiosità veneziane of 1872 is still the authority on where Venetian street names come from — explains it in full. «FRANCESCHI (Rio terrà dei) a' SS. Apostoli. La denominazione di questo Rivo, il quale, prima del suo interramento, era attraversato da un piccolo ponte, pur esso detto dei Franceschi, ricorda quella famiglia cittadinesca Franceschi, la quale faceva per arma un leone rampante col motto: Sero sapimus.» The name of this rio — which, before it was filled in, was crossed by a small bridge also called dei Franceschi — recalls that citizen family Franceschi, whose arms were a lion rampant with the motto «Sero sapimus»: we grow wise too late. So there was a Ponte dei Franceschi in Venice, and the street is what is left of it after the canal was filled.

And it is named for a man this site already has

Tassini goes on. A Benda of this family presented, at the redecima of 1514, the schedule of her many goods, among them buildings in the contrada of Santi Apostoli. And «anche Andrea Franceschi, Cancellier Grande, nipote ed uno degli eredi di essa Benda, notificò nel 1537 di possedere una casa da statio a S. Apostolo» — Andrea Franceschi, Grand Chancellor, nephew and one of Benda's heirs, declared in 1537 that he owned a casa da statio at S. Apostolo. That is the Andrea already on this site — Titian's friend, Grand Chancellor of the Republic. The street is named for his family's houses. Not our kin, and this archive has never claimed him; but the question «is there a street in Venice called dei Franceschi» turns out to have the same answer as «who is the man in the Titian».

Four things about Andrea that this archive did not have

Tassini's entry is the fullest short life of him anywhere. He was born in 1472 — the site has said 1473 — and died in 1551. He was the son of Piero Franceschi, zogelier — a jeweller — son of the late Bortolo dalla seda, of the silk trade. So the Grand Chancellor of Venice was a jeweller's son and a silk merchant's grandson, which is what cittadini originari actually means in practice. In 1513 he travelled to Constantinople and to Cairo with the Republic's ambassadors. He was for about seven years librarian of the Marciana. He was learned in Greek and Latin, a lover of music, and a collector of medals. Titian portrayed him twice. The Cairo journey needs a note. This archive earlier cleared a study of the Venetian embassy to Cairo of 1512 as irrelevant, on the ground that its Andrea de' Franceschi was of Cividale di Belluno and a different family. Tassini puts this Andrea on that road in 1513. One of the two readings is wrong and it may be ours. Reopened.

Three more Venetian vignettes, from the same book

1560 — a Ferigo Franceschi declares that he owns two-thirds of a house at San Nicolò, under a roof called la Cha Matta. 1575 — the terrible plague of that year broke out in the parish of San Marziale in the house of a Vincenzo Franceschi, where a man from Trento, already infected, had been given lodging. Tassini reports it without comment; it is the sort of sentence a family would rather not find in a street-name dictionary. 1586Angelo di Franceschi, son of Girolamo, secretary of the Senate, was murdered by Carlo Zeno, who also fired an arquebus at his brother-in-law in the palace at the Frari, and was beheaded on 29 March 1586.

Rijeka — not a bridge, a pier

There is no Defranceschi bridge in Rijeka, and this archive looked hard for one. There is a De Franceschi pier — «De Franceschijev gat», in the main harbour, and it is one of the more important pieces of ground in the city. It was built as the Mol Zichy, named for the Hungarian counts, and it is on the Croatian maritime-heritage register as «Pristanište Zichy / De Francescijev gat»: 150 metres along the east side, 134 on the west, 80 across the south, about six metres of water at the edge. Two things happened on it. In 1882 the first building in Rijeka harbour to be constructed in iron and concrete — warehouse 4, designed 1881 — went up on this pier, probably to the design of the architect Mate Glavan. And on 30 August, in the first years of electric light, Károly Zipernowsky — the inventor of the transformer, with Bláthy and Déri — lit Gat Zichy and warehouses II and III with four lamps borrowed from the Torpedo Factory. Two bulbs in the warehouse, two on the pier. The first electric light in Rijeka was switched on standing on the De Franceschi pier.

And nobody says which De Franceschi

The heritage register gives the pier both names and no explanation. Rijeka renamed a great many Hungarian and Italian things after 1945, and the obvious candidates are all in this archive — Carlo the historian, whose family Kobler traced in the Fiume registers; Ivan Defranceski, political commissar in the Istrian partisans in 1943–45; or one of Kobler's three Fiume households of the name. This archive will not guess. The Rijeka city archive and the municipal street-naming records would settle it in an afternoon, and it is on the list.

Any others?

Those are the two this archive can document. Against them stand the things that are not landmarks of this name and get mistaken for them: the Villa De Franceschi at Seget near Umag, which is a house and this family's own; the Stanzia De Franceschi at Svetvinčenat, a farmstead that had already passed out of the family by 1820 and survives only as a cadastral name; and, in Carnia, the ordinary fact that half the graveyard at Gorto carries it. If you know of another — a school, a square, a ship — this archive would rather chase it than assume it does not exist.

Venice: Giuseppe Tassini, «Curiosità veneziane, ovvero Origini delle denominazioni stradali di Venezia» (Venice, 1872 edition), the entry FRANCESCHI (Rio terrà dei), pp. 288–289, read from the Internet Archive scan; his own authorities are the «Cronaca di quarantasei famiglie di Cittadini Veneziani» (Biblioteca Marciana, Cl. VII, Cod. CCCXLI) and the «Memorie concernenti la Vita dei Veneti Cancellieri Grandi» (Cl. VII, Cod. CLXVI). Rijeka: the Croatian maritime-heritage register entry «Pristanište Zichy / De Francescijev gat»; and the Rijeka chronology at moja-rijeka.eu, citing Nana Palinić, «Povijesna skladišta riječke luke», in «Industrijska baština» I (2003), Pro torpedo, Rijeka 2005, p. 395.

What this page rests on
Josip Banić, «Venetian Istria in the Embrace of a Nascent Dominium (c. 1381 – c. 1470)» Publication · Doctoral dissertation, Central European University, 2021
Dizionario Biografico degli Italiani Reference · Treccani
Blasonario Giuliano Publication · Unione degli Istriani
Giuseppe Tassini, «Curiosità veneziane, ovvero Origini delle denominazioni stradali di Venezia» book · Venice, 1872 edition (first published 1863). Read in full from the Internet Archive scan, September 2026.
«Pristanište Zichy / De Francescijev gat» — Croatian maritime and industrial heritage register register · arcaadriatica.eu, entry 13548. Consulted September 2026.
defranceski.com Family · the family's own site

The full bibliography, with what each source gave and where it is weak →