Is the shield still on the house at Gologorica?
DocumentedThree witnesses now say there is a carved coat of arms on the front of the family's house, across a hundred and forty years: Carlo describing his family's arms privately to Kobler about 1873; the architectural historian Radmila Matejčić in 1979 recording «il proprio palazzetto con portico ad arcate e blasone sulla facciata»; and the American branch in 2012 describing what they could still make out on it, «hard to read now due to wear and weather».
Next: ANSWERED, the same day. The house stands, with the arcaded loggia Matejčić describes. Set into the façade: a tablet reading «[A]N.O DOMINI … GIO: BATISTA DE FRANCESCHI FECCE FARE PER SE ET HEREDI SVOI»; a Madonna relief in a scrolled aedicule; a memorial tablet beginning «IN QUESTA CASA … CARLO DE FRANCESCHI … PATRIOTA ISTRIANO»; and at the top an oval cartouche under a plumed helm, charged with a cross crossed by two arrows and, below a band, a pomegranate. That is Carlo's private blazon of about 1873, exactly. The same arms are on both tablets of his tomb in the village cemetery and on the urn beside it. The Carlo plaque is now READ IN FULL and it corrects this entry: «IN QVESTA CASA AVITA / NACQVE E MORÌ / CARLO DE FRANCESCHI / PATRIOTTA FERVENTE / ARCHEOLOGO E STORICO / AGLI STVDI DELLA SVA ISTRIA / OPEROSO / MDCCCIX — MDCCCXCIII» — not «patriota istriano», and it says he was born and died in the house, and calls it the casa avita. The cartouche legend is partly read, by two readers independently: «… [name ending ‑A] · DE · FRANCESCHI · FIERI · … PERMISIT …», Latin, running clockwise with the top arc eroded away. The house is number 22. The YEAR on the builder's tablet is now READ: «ANNO · DOMNI · 1711 / GION · BATISTA / DE · FRANCESCHI / FECCE · FARE · PER · SE / ET · HEREDI · SVOI» — 1711, exactly the year Carlo gave Kobler for the building of the house, and the name is GION, not the abbreviation. A mark right of the last numeral was read by one reader as an open-form 4; enlarged, it sits outside the digits' band and against the panel border, and 1711 is published. STILL WANTED: one raking-light frame to close that off for good — no frame yet taken is closer than about six pixels per letter — and the lost segments of the cartouche legend. Both want a long lens and a torch swept round at a low angle, four to eight exposures, after sunset.